soundTable for iPad Review is a post from: Best Iphone Apps Review Website
Price: 0.99
Version Reviewed: 1.0
Device Reviewed On: iPad
iPad Integration Rating: 3.75 out of 5 stars
User Interface Rating: 4 out of 5 stars
Re-use Value Rating: 3.5 out of 5 stars
Overall Rating: 3.75 out of 5 stars
A few weeks ago, I wrote a review extolling the virtues of iSequence, a sophisticated new iPad app that allows musicians to construct full-scale songs from their touch screens. That app could be overwhelming to a first time user or a novice musician, but now soundTable fills that void by providing a simplified interface and learning curve for beginners wanting to create interesting electronic sequences.
As its name implies, all controls in soundTable are manipulated from one master screen. You can easily search sound banks to find the beats, synths and other sounds you want, then drag them to the middle of the screen – the “table” – where their volume, speed and direction can be manipulated using circular turntables that surround each individual sound. As you drag sounds to the main table, they “attach” themselves visually to a master control at the bottom of the screen. These attachment lines are actually representations of sound waves and they can be manipulated by attaching additional effects to them. Ultimately, you’ll likely have a half dozen or more mini turntables on screen at once, so it can get a little confusing and often difficult to fully control.
To be fair, though, the interface in soundTable is interesting and unique and easy enough to begin with. It would help if the developers included a comprehensive help file with the app, but you will have to settle for the info button, which merely describes what each set of buttons represents. That’s certainly enough to get you going, but as users continue playing with the app they are probably going to want more and better explanations.
The sounds available in soundTable are pretty standard, but fortunately the developers have included many, many more available for download free. You can sample each sound and decide if you want it, so you don’t have to litter your iPad’s precious drive space with unwanted sounds. Hopefully there will be additional sound packs released as the app reaches maturity. At only $0.99 for the app, I wouldn’t mind paying extra for more sounds.
Graphically, soundTable really impresses. With a variety of virtual turntables and sound waves going at one time, the interface of the app looks something like an art piece. It remains to be seen (and heard) what the most ambitious of users will be able to sonically do within the confines of the iPad’s screen.
At this point, soundTable is more of a toy than apps such as iSequence, but that’s not necessarily a bad thing. It represents a good first step for those just now venturing into the ambient unknown.
[ soundTable for iPad Review is a post from 148Apps ]
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It’s probably best if I begin this review with a caveat; I’m not a musician. Though I’m a ravenous consumer of all sorts of music, my experience with the electronic whirligigs that make so much of today’s music is severely limited. I say that because, at first glance, iSequence looks like a simple electronic toy for musical novices. Once you begin exploring the app, however, you discover an amazing level of depth and sophistication, far greater than a $6.99 app should deliver.
The heart of iSequence is the pattern editor. The editor provides 8 tracks with 32 events (represented on screen by small blocks) per track to customize. Simply choose a sound bank from the many provided and you are free to customize each track however you please. In fact, iSequence is much more than a simple 8 track recorder, as you are not limited to just one instrument per track. You can actually load several different instruments into a single track, allowing you to create fairly sophisticated pieces of music.
O-Gawa is inherently confusing, and I don’t mean that in a bad way. If confusion holds too many negative connotations for you, think “discovery learning.” On first starting the app, it’s absolutely unclear what to do. There’s a pattern of what looks like dots in the center of a black screen; the only other things immediately apparent are a tiny blue dot and a tiny green dot. Like Alice stepping through the looking glass, your only path forward is to step out into the unknown and randomly touch the screen. 
There is more to the app than just this one basic screen, however, such as a settings/beats-per-minute menu and the ability to change drum/beat samples to one of 15 variations. There’s also an editing mode, where you can customize your chosen beat in a variety of ways, and a very difficult to see control bar on the right hand side of the main screen that allows you to hold a particular beat or reverse the sound entirely. Again, there are no instructions on how to do any of this. The only way I was able to get anywhere was simple trial and error. If you are someone who frustrates easily, this might not be the app for you. I’m honestly still not sure what some of the virtual buttons do, but that hasn’t kept me from playing around with them.
Ah Glee, how you are the bane of my existence. Not because you are a bad show, but because my wife is truly obsessed with you. So fancy me, making the mistake of saying there was a Glee app, and here I am doing a review. Please hold your comments about the location of my manhood, trust me… I know.